Look at Those Big Mouse Ears

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Download Hooverphonic mp3

Artist: Hooverphonic: mp3 download    Genre(s):  Other Rock: Pop-Rock Pop: Pop-Rock Trip-Hop     Discography:      Sit Down And Listen To    Year: 2003    Tracks: 13      Jackie Cane    Year: 2002    Tracks: 20      The Magnificent Tree (CD 2)    Year: 2001    Tracks: 2      The Magnificent Tree (CD 1)    Year: 2001    Tracks: 11      The Magnificent Tree    Year: 2001    Tracks: 13      Blue Wonder Power Milk    Year: 1998    Tracks: 13      A New Stereophonic Sound Spectacular    Year: 1996    Tracks: 11 The Belgian ambient protrude band Hooverphonic featured vocalist Liesje Sadonius, guitarist/programmer Alex Callier, keyboardist Frank Duchêne, and guitar player Raymond Geerts. Known simply as Hoover crosswise Europe, the mathematical chemical group made their initial slosh around tributary the song "2Wicky" to the soundtrack of the 1996 Bernardo Bertolucci cinema Stealing Beauty, followed a year later on by the full-length New Stereophonic Sound Spectacular. Sadonius left wing Hooverphonic a poor time later on, and was replaced by vocaliser Geike Arnaert in time to book 1998's Puritanical Wonder Power Milk. The Magnificent Tree followed two geezerhood later on.

Janet Jackson << mp3 music

Artist: Janet Jackson    Genre(s):  R&B: Soul Pop Rock Rock: Pop-Rock Dance Janet Jackson << Download mp3 music Few celebrity siblings flush toilet emerge from the shadows of their already far-famed relations to become superstars in their have adjust and with their possess distinct personalities. That's just what Janet Jackson did in decorous one of the biggest female pop out and R&B stars of the '80s and '90s. Since her breakthrough in 1986 with the album Control, Jackson's calling as a hitmaker has been a model of consistency, rivaling Madonna and Whitney Houston in footing of pop up chart succeeder over the long disembowel. A outstanding function of the ground was that Jackson unploughed her stage of tone control very high; her singles were always expertly crafted, with indelible pop hooks and state of the art product that kept up with contemporaneous trends in urban R&B. Once established, her broad-based attract never really lordotic all that much; she was able-bodied to head off significant career missteps, musical and other than, and successfully shifted her figure of speech from a strong, independent young woman to a aphrodisiac, grow adult. With a string of multi-platinum albums under her whack, she showed no signs of slowing down in the new millennium. Janet Damita Jo Jackson was born May 16, 1966, in Gary, IN. She was the youngest of baseball club children in the Jackson kinsperson, and her old brothers had already begun performing unitedly as the Jackson 5 by the metre she was born. Bitten by the acting bug at a edward Young age, she first-class honours degree appeared onstage with the Jackson 5 at age seven-spot, and began a sitcom performing career at the age of x in 1977, when manufacturer Norman Lear selected her to join the cast of Unspoiled Times. She remained thither until 1979, and subsequently appeared on Diff'rent Strokes (1981-1982) and A New Kind of Family. In 1982, pushed by her father into stressful a vocalizing career, Jackson released her self-titled first album on A&M; a twosome of singles scraped the lour reaches of the charts, simply on the solid, it made very small noise. She was vomit in the melodious series Fame in 1983; the next yr, she issued her irregular album, Dream Street, which sold even more than under the weather than its herald. Upon turning 18, Jackson rebelled against her parents' close superintendence, eloping with a member of another musical home, isaac Merrit Singer James DeBarge. However, the relationship speedily make the rocks and Jackson wounding up moving back into her parents' domicile and having the marriage annulled. Jackson took some clock time to second thought her musical career, and her father hired her a young manager, John McClain, wHO isolated his youth charge to train her as a terpsichorean (and make her lose weightiness). McClain hooked Jackson up with producers/writers Jimmy Jam and Terry Lewis, whom she'd seen perform as members of the Minneapolis funk outfit the Time. Jackson collaborated with Jam and Lewis on nigh of the tracks for her following record album, Mastery, which presented her as a confident, tough-minded lester Willis Young woman (with a easygoing face and a sense of humor) pickings charge of her living for the get-go meter. In financial backing of Jackson's new persona, Jam and Lewis crafted a set up of dressed, computerized support tracks with slamming beatniks that owed more to heavy, hip-hop-tinged funk and urban R&B than Janet's older brother Michael's music. Control became an out-of-the-box make, and finally spun off sestet singles, the first five of which -- "What Have You Done for Me Lately," the take in phrase-inspiring "Filthy," the number one "When I Think of You," the form of address rails, and the lay "Let's Wait Awhile" -- hit the Top Five on the pop charts. Jackson was hailed as a role model for youth women and Mastery eventually sold all over pentad 1000000 copies, establishing Jackson as non just a star, simply her own woman. It as well made Jam and Lewis a monstrously in demand production team. For the hotly hoped-for follow-up, McClain precious to labour Jackson toward more overtly sexual territory, to which she objected strenuously. Instead, she began collaborating with Jam and Lewis on more socially conscious material, which formed the backbone of 1989's Rhythm Nation 1814 (the "1814" purportedly stood for either the letters "R" and "N" or the class "The Star-Spangled Banner" was written). Actually, keep for the claim caterpillar tread, most of the record's singles were bright and romantically themed; four of them -- "Miss You Much," "Risky venture," "Blackened Cat," and "Love Will Never Do (Without You)" -- glossiness off figure one, and three more -- "Speech rhythm Nation," "All right-hand," and "Come Back to Me" -- reached the Top Five, devising Jackson the first creative person ever to bring forth seven Top Five hits off of nonpareil album (something non fifty-fifty her comrade Michael had accomplished). Aside from a greater enjoyment of outside samples, Regular recurrence Nation's reasoned mostly resembled that of Ascendence, but was exactly as well crafted, and listeners embraced it enthusiastically, purchasing over captain Hicks meg copies. Jackson undertook her first gear real circuit (she'd appeared at heights schools about the rural area in 1982) in support of the record album and it was predictably a smashing success. In 1991, Jackson capitalized on her success by jumping from A&M to Virgin for a reported $32 1000000, and besides on the QT marital choreographer and longtime fellow René Elizondo. Once on Virgin, Jackson specify almost revamping her good and image. Her 1992 duo with Luther Vandross from the Mo' Money soundtrack, "The Best Things in Life Are Free," was a major R&B polish off, likewise stretch the pop Top Ten. The following twelvemonth, she besides resumed her playing life history, co-starring in acclaimed director (and former jr high classmate) John Singleton's Poetic Justice, along with rapper Tupac Shakur. But neither genuinely hinted at the sexy, seductive, fully adult persona she unveiled with 1993's janet., her Virgin debut. Jackson trumpeted her new image with a notorious Rolling Stone hide picture, in which her topless configuration was covered by a geminate of workforce belonging to an spiritual humankind "admirer." Musically, Jam and Lewis designate aside the synthesized blue funk of their first two albums with Jackson in favor of warm, inviting, mildly undulating grooves. The album's spark advance undivided, the slinky "That's the Way Love Goes," became Jackson's biggest polish off e'er so, outgo eight weeks at number unitary. It was followed by a predictably long parade of Top Ten hits -- "If," the number nonpareil ballad "Once again," "Because of You," "Any Time, Any Place," "You Want This." janet.'s debut showing at issue 1 made it her third straight chart-topping album, and it went on to sell near vII one thousand yard copies. In 1995, Janet and Michael teamed up for the unmarried "Wow," which was supported by an work out, award-winning, space age tV that, upon culmination, graded as the to the highest degree expensive music video ever made. The unmarried debuted at number pentad on the pop charts, merely bit by bit slid down from at that place. In 1996, A&M issued a retrospective of her years at the mark, RPLC216% of a Decade 1986-1996; it featured the Virgin polish off "That's the Way Love Goes" and a few new tracks, one of which, "Fugitive," became a Top Five polish off. Jackson too signed a new contract with Virgin for a reported $80 meg. Yet patch working on her following album, Jackson reportedly suffered an emotional breakdown, or at least a severe bout with depressive disorder; she later on elevated eyebrows when she talked in several interviews around the cleansing value of chocolate enemas as theatrical character of her treatment. Her next record album, The Velvet Rope, appeared in 1997 and was touted as her most personal and intimate work to escort. The Velvet Rope sought-after to combine the sensualness of janet. with the more socially witting parts of Musical rhythm method of birth control Nation, mixture songs just about issues like domestic pervert, AIDS, and homophobia with her to the highest degree sexually explicit songs ever so so. Critical view on the record album was divided; some applauded her ambitiousness, patch others plant the record too bloated. The lead-in American single "Together Again," an lament for AIDS victims, was a number ane come to; besides popular on the wireless was "Got 'til It's Gone," which featured rapper Q-Tip and a sample of Joni Mitchell over a reggae wash up. "I Get Lonely," featuring Blackstreet, was some other big strike; merely on the hale, The Velvet Rope didn't prove to be the blockbuster singles gravy that its predecessors were, which was probably wherefore its gross gross sales stalled at around trey 1000000 copies. Thomas J. Jackson toured the world over again, and stayed on the charts in 1999 with the Top Five Busta Rhymes duet "What's It Gonna Be?!"; her appearance in the video remade her as a glitzy, unnaturally costumed, single-name diva. In 2000, she appeared in the Eddie Murphy funniness Nutlike Professor II: The Klumps, and her soundtrack donation, "Doesn't Really Matter," became a number ane single. Unfortunately, Jackson's married couple to Elizondo had turn constrained and the couple divorced in 2000, sparking a courtroom battle over her musical income. Jackson returned with a new record album, All for You, in 2001, which largely continued the sensual tone of janet. and The Velvet Rope; it debuted at number ane, merchandising over 600,000 copies in its first week alone. The title track was issued as the album's first base base single and quickly topped the charts, followed by some other sizeable score in "Individual to Call My Lover." Patch Jackson played out a great deal of 2001 and 2002 on the road supporting All for You, she also launch sentence for some guest appearances, most notably with Beenie Man on his Tropical Storm LP and Justin Timberlake on Justified. By 2003 she was back in the studio, working once once again with Jam and Lewis on tracks for a new record album; extra producers included Dallas Austin and Kanye West. Later that year, it was revealed Jackson would subscribe to role in an MTV-produced extravaganza during halftime at the Super Bowl. 2004 began with an Internet news leak of the upbeat Austin production "Simply a Little While." The singer's camp rolled with the punches, oblation the course to wireless as an authorised digital download, simply the bombinate this business caused was minuscule in comparison to the nightmare union of disembarrass exposure and bad publicity that Jackson's next hazard caused. Appearing at halftime of Super Bowl XXXVIII as scheduled, Jackson performed "All for You" and "Rhythm Nation" in front bringing kO'd surprise guest Timberlake for a duet on his strike "Rock Your Body." But the real surprise came at song's end, when a motion from Timberlake caused Jackson's costume to shoot, exposing her correct, punctured boob on unrecorded television to hundreds of millions of viewers. The incident caused furious backpedaling and apologizing from Timberlake, Jackson, the NFL, CBS, and MTV, which swore no previous knowledge of the alleged "wardrobe malfunction," and light-emitting diode to speculation over how Damita Jo -- Jackson's approaching album and her first in trey long time -- would be standard. But while the argument gave Jackson both heartbreak and a bit of dislodge advertising, it was too the impetus for a national consider on public impropriety. A federal commission was set up to investigate lubricity, the FCC enacted tougher crackdowns on TV and radio programs broadcast medium questionable content, and dead everyone from pundits to politicians to the man in the street had an judgment on Janet Jackson's pectus. Later that March, the singer softly started devising the talk show rounds. She was still apologizing for the incident, but she was too promoting Damita Jo, which Virgin issued at the end of the calendar month. Largely considered a disappointment, the album still sold over deuce jillion copies oecumenical and earned three Grammy nominations. 20 Y.O. followed iI age afterwards, and though it was reviewed more than favorably than Damita Jo, it was cancelled the Billboard cc record album chart later 15 weeks. Jermaine Dupri, Jackson's near sake and the executive producer of the record album, was so perturbation over Virgin's want of support that he left field his mail as prexy of Virgin's urban division. Discography:      20 Years Old    Year: 2006    Tracks: 18      I Want You    Year: 2004    Tracks: 3      All Nite (Don't Stop)    Year: 2004    Tracks: 8      Doesn't Really Matter    Year: 2001    Tracks: 3      All For You    Year: 2001    Tracks: 20      The.Remix.Collection CD2    Year: 2000    Tracks: 9      The.Remix.Collection CD1    Year: 2000    Tracks: 9      Golden Rock Ballads 20 years Later    Year: 2000    Tracks: 16      The Velvet Rope    Year: 1997    Tracks: 22      Design of a Decade: 1986-1996    Year: 1995    Tracks: 18      Design Of A Decade    Year: 1995    Tracks: 16      That's The Way Love Goes CDS    Year: 1993    Tracks: 6      Janet    Year: 1993    Tracks: 27      Rhythm Nation 1814    Year: 1989    Tracks: 20      Control    Year: 1986    Tracks: 9      Dream Street    Year: 1984    Tracks: 9      Janet Jackson    Year: 1982    Tracks: 8      Velvet Rope    Year:     Tracks: 22      Together Again (Maxi)    Year:     Tracks: 6

The worst films of the decade

The Rosewood Thieves

   
Artist: The Rosewood Thieves

   Genre(s): 
Indie
   

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Discography:


   
 From The Decker House

   Year: 2006   
Tracks: 6

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Alan Lomax

Aphex Twin (as Pacman)

   
Artist: Aphex Twin (as Pacman)

   Genre(s): 
Industrial
   

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Discography:


   
 Power Pill CD5

   Year: 1992   
Tracks: 5

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No 313: Trouble Over Tokyo

Hometown: London.The lineup: Christopher "Toph" Taylor (vocals, instruments, programming).The background: Trouble Over Tokyo is the alter ego of Toph Taylor, a 28-year-old from the suburbs of South London and unlikely star of the Austrian indie scene who had an idea - and it's a great one - to merge indie at its most apprehensive and introspective with R&B at its most modernistic and manically twitchy. On his first widely available album Pyramides, issued by Vienna's Klein imprint, the bedsit solipsist gets his geek on: a self-confessed control freak, he wrote, arranged, produced, and performed every note of the 10 songs himself, handling the guitars, pianos, strings and drum machines; he even drew the artwork and designed the CD box. The result is an album of angsty electronica, sung by Taylor in a mainly falsetto voice that, usefully, simultaneously recalls Thom Yorke at his most existentially anxious and Justin Timberlake at his most sexually rapacious. The near-title track of the album - Pyramids - is a hyper-ballad that does indeed sound like a Warped Jeff Buckley, or, say, Cry Me A River performed by a Timberlake who grew up with Yorke's sense of unease and krautrock albums, a Timberlake who then went on to make records for German experimental electronic music label Mille Plateaux. Or, to put it another way, as a startled reviewer recently put it, "imagine Kid A produced by Basement Jaxx".










Actually, sometime B Jaxx singer Milly Blue adds ghostly guest warbles to one of the LP's songs, 4,228, a tale of transatlantic love gone disastrously wrong. The other titles of the tracks on Pyramides offer further clues as to the state of mind of this suburban boy who wrote his first song when he was five and, aged seven, fell under the spell created by Quincy Jones on those Michael Jackson classics of neurotic disco, Off The Wall, Thriller and, especially, Bad. Of those titles, Save Us, The Liar, Washing Away The Dirt, My Anxiety and The Dark Below (Oh ... My God) particularly give the impression of someone who's either had incredible bad luck with women, or simply has an overactive imagination and is attracted by the notion of the lonely cyber miserabilist.The buzz: "Like Sufjan Stevens discovered electro music under the influence of Matthew Dear."The truth: It's not quite in the same league as Vulnerabilia, the astonishing 2002 debut album of wan songtronica by defunct Manchester duo My Computer ... but as digital melancholia goes, it's pretty good.Most likely to: Wear thin after a while.Least likely to: Wear lederhosen by the Nile.What to buy: Pyramides is released by Klein on June 16.File next to: Thom Yorke, My Computer, Junior Boys, Mew.Links: www.myspace.com/troubleovertokyoTomorrow's new band: ManMan.

Coldplay Inspired By Justin Timberlake On New Album

Coldplay frontman Chris Martin has revealed that the band were inspired by Justin Timberlake on their new album, 'Viva La Vida'.

Martin admitted that drummer Will Champion is a huge fan of Timberlakes song, 'Cry Me a River' and that it was his inspiration for one of their album tracks.

"One song we're always trying to chase is 'Cry Me A River' in terms of the beats and everything," Martin said.

"I know that is one of Will's favourite songs. And he did all the drums on 'Lost!'".

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Forest Of Fog

   
Artist: Forest Of Fog

   Genre(s): 
Metal: Death,Black
   

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Discography:


   
 Nebelhymnen

   Year: 2005   
Tracks: 8

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Master's Hammer

   
Artist: Master's Hammer

   Genre(s): 
Rock
   Rock: Sympho
   

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Discography:


   
 Slagry

   Year: 1995   
Tracks: 9


   
 The Jilemnice Occultist

   Year: 1993   
Tracks: 11


   
 Ritual

   Year: 1991   
Tracks: 11

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Hamlet

Selffish

   
Artist: Selffish

   Genre(s): 
Rock
   

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Discography:


   
 Selffish - (2002) Eenas

   Year: 2002   
Tracks: 7

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Irish star in Wuthering Heights talks

The German-born, Killarney-raised actor Michael Fassbender is in advanced negotiations to play Heathcliff in the new film version of Emily Bronte's 'Wuthering Heights'.
Variety reports that the film will be directed by British director John Maybury ('The Jacket', 'Love is the Devil') and is due to begin shooting in the autumn.
Natalie Portman, who had been due to star in the film, has left the project due to a scheduling conflict.
Fassbender also starred in the blockbuster '300'; his new film 'Hunger', in which he portrays hunger striker Bobby Sands, will be screened at the Cannes Film Festival this month.

Costello's Beautiful, says Blunt

JAMES Blunt has had his head, and ear, turned by Kate Costello. The crooner has been doing his best to help the model-turned-singer's career, introducing her to his music bosses.

IF British crooner James Blunt thinks You're Beautiful - not to mention loves your voice - it's pretty likely your singing career is going to hit a high note. Such is the prime position Sydney model-turned-muso Kate Costello has found herself in after she was introduced to the chart-topping Romeo last week. Just weeks after leaving Vivien's Model Management to focus on her career as a music performer, the 20-year-old blonde had the good fortune to be introduced to Blunt by a friend. Currently touring Australia in promotion of his latest album All The Lost Souls, Blunt - whose way with the ladies is just that - was apparently quite taken with Costello after the pair met in Melbourne. Not missing a beat, the self-taught guitarist, singer and songwriter managed to slip Blunt a demo of her recordings - and the hirsute hottie was impressed. After attending Blunt's show at the Rod Laver Arena, the singers enjoyed a dinner together, but the English casanova didn't leave Costello with Goodbye My Lover. Instead, he found some time in his tight touring schedule to introduce Costello to music executives at his record label Warner Music, Confidential understands. "We haven't heard Kate's music yet but James is obviously an exceptional talent and his opinion is held in high regard," a Warner Music spokeswoman said yesterday. While Blunt performs in Perth this weekend, Costello has scored her first live gig at Darlinghurst venue Ruby Rabbit on Saturday night, playing at a party hosted by the club's part-owner Shane Moran.

Lopez picks names for her twin babies

Singer and actress Jennifer Lopez has reportedly picked names for her twin babies.
According to Digital Spy, witnesses at the North Shore University Hospital in Long Island said that they overheard the star calling her babies Maximiano and Emelina.
Previous reports had suggested that the singer's mother recently bought bracelets for the babies and had the names Max and Emme engraved on them.

Jessica Simpson Unveils New Country Single

Jessica Simpson wants you to Come On Over and listen to her new country song.

The 27-year old has been getting back to her country roots by working hard on country inspired album, and the first sampler has hit the internet.

Her first single Come On Over has Simpson singing in a southern drawl to the lyrics: "Just come on over/I need you now/I need you bad/I need you baby looking just like that."

Speaking to Billboard about the recording, she said: “I am a country girl. I grew up in Texas, and country music was what I listened to. I always wanted to make a country album, but I wanted to wait until the time was right."

What do you think of Jess’s new single? Be sure to leave your comments below.

Snoop Dogg Calls On Princes To Overturn U.k. Ban

Rapper SNOOP DOGG has called upon British royals PRINCES WILLIAM and HARRY to voice their support for him in his visa battle with U.K. authorities.
The star - real name Calvin Broadus Jr. - was prohibited from entering the country after he was involved in a brawl at Heathrow Airport in April 2006.
That ruling was overturned earlier this year (08) when Snoop wrote to the U.K. government to ask for his visa ban to be lifted.
But earlier this month (Apr08), Britain's Border Agency bosses confirmed they will be challenging the decision in court.
Broadus, who counts the young princes as fans, insists he hasn't done anything wrong and is determined to get back into the U.K. - even if it means consulting his royal acquaintances.
He says, "I'm not an aggressive individual at all and I've been wrongfully accused. I've not done anything to the people of Britain.
"I've never got into trouble, never violated him, never disrespected them, and I've always shown them love and turned up. What did I do? Who did I offend?
"You should talk to the Princes - William and Harry - I bet they want me over there!"

Sex And The City - Noth No Longer Loves New York

SEX AND THE CITY star CHRIS NOTH has delivered another blow to the city where the TV show and new movie is set, insisting New York isn't as great as it used to be.

His comments come just weeks after Sex and The City producers snubbed the Big Apple for the world premiere of the film, and held it in London instead.

Speaking to publisher Ron Galotti - the inspiration for his Mr. Big character - Noth, who first arrived in New York in the 1970s, tells Interview magazine says, "New York is pretty much commercialised to the point of no return"

Adding he misses the "diverse eccentrics" and "different neighbourhoods" that were once such a big part of the city used to fill the city: "That's all been washed out. It's very suburban. The art scene really left, except in patches. It's all about sort of a corporate sensibility, and it's squeezed out room for any other kind of sensibility."

And Noth is planning to deal another blow to New York by moving his Cutting Room night club out of the Big Apple and into Las Vegas.

He explains, "I want to take the club to Vegas. I think a Cutting Room would be great in Vegas. I just haven't really had the time to go out there and schmooze people and try to get them to invest millions of dollars."

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